| Citation & links | Creative works & links | Name of person making listing (optional) |
| Sense of Place_2023_Excerpt (Weave Movement Theatre) | Llewellyn Wishart | |
| Araluen, E. author. (2021). Dropbear. University of Queensland Press – https://www.uqp.com.au/books/dropbear *Deakin Access – https://ebookcentral.proquest.com/lib/deakin/detail.action?docID=6460147 | Suggested poems from Dropbear: Acknowledgment of Cuntery* The Trope Speaks* Index Australis* Playing in the Pastoral* Appendix Australis* | Llewellyn Wishart |
| Edenglassie novel by Melissa Lucashenko | Jo Raphael | |
| The Visitors, novel (based on the play) both by Jane Harrison. (Would be good to see the play if it tours again) | Jo Raphael | |
| Theatre in Naarm. Yirramboi Festival https://yirramboi.com.au/ 1-11 May Maybe we can go to see something together?? Eg. https://www.mtc.com.au/plays-and-tickets/whats-on/other-events/peggy-sue-and-wirans-dream/ Two new works in development, presented together in a single performance by Melbourne Theatre Company’s Deadly Creatives. 1-3 May | Jo Raphael | |
| Watego, C. (2021). Another day in the colony. University of Queensland Press. | Deakin access* – https://ebookcentral.proquest.com/lib/deakin/reader.action?docID=6784889&ppg=1 * | Llewellyn Wishart |
| Live Laugh Decolonise Remastered Version 2025 – Matt Hsu’s Obscure Orchestra | Llewellyn Wishart | |
| Kev Carmody pointed out brutal hypocrisy in ‘Thou Shalt Not Steal’ (Double Jay 27 May 2021) Thou Shalt Not Steal Official Music Video (Kev Carmody) Thou Shalt Not Steal (Kev Carmody – John Butler version) | Llewellyn Wishart | |
| Defining antisemitism in the colony – Maria Giannacopoulos in Overland 14 April 2025 | Piper Rodd | |
| Irwin, R. (2023) “Physics, Feminism and Whakapapa; integrating eco-subjectivity after the Enlightenment” in Lucy Weir (ed.) Philosophy as Practice in the Ecological Emergency, Palgrave Macmillan. | Ruth Irwin | |
| Irwin, R. “Idealist individualism or indigenous cosmology; finding entanglement across species and strata” for Journal of Religions, Gorazd Adrejc & Victoria Dos Santos (ed.s) special issue on “Religion, Science and Technology in Pantheism, Animism and Paganism”. | Ruth Irwin | |
| Ch 4 Wayfinding and decolonising time – Talanoa, activism, and critical autoethnography – Katarina Tuinamuana and Joanne Yoo in Wayfinding and Critical Autoethnography, edited by Fetaui Iosefo, et al., Taylor & Francis Group, 2020. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/deakin/detail.action?docID=6348774. | Kwaymullina, A. (2020). Living on Stolen Land*. Magabala Books. “Time” (pp. 12-14) *Deakin Access – https://research.ebsco.com/linkprocessor/plink?id=a19aa83e-b359-3e30-bd41-2d1fe5a4b5ab | Llewellyn Wishart |
| Chingaipe, Santilla. (2024). Black Convicts: How Slavery Shaped Australia. Manhattan: Scribner. Read: Introduction | As for a creative work, if possible, I would prefer to pair it with an exhibition which was displayed at Footscray Community Arts Centre as part of this year’s Asiatopa: Chronotopia by Sim Chi Yin. Here is a link to the page of the artist, which includes the bulk of the booklet accompanying the exhibition and beautiful photographs which show the layout of the space and displays. I believe it is a good pairing for this text: both attempt to excavate the stories of those who came before us, and both do this work as a means to find their way through inherited trauma while seeking a future which may transcend it. Chronotopia Sim Yi Chin – “Chronotopia”, solo exhibition in Melbourne – sim chi yin. | Kav Peterson |
| Mika, C., Andreotti, V., Cooper, G., Cash, A., & Silva, D. (2020). The ontological differences between wording and worlding the world. Language, Discourse & Society, 8(1), 17-32. The article can be accessed outside the firewall here: https://www.language-and-society.org/wp-content/uploads/2021/07/Mika-et-al._Language-Discourse-Society_Vol81_June2020-21-36.pdf | As a creative pairing, you could consider the humorous/alarming introduction to the character of Ricky Baker in Hunt for the Wilderpeople, where the social worker introduces Ricky’s character to his new foster parents. I love the contrast of worlds in this scene… and how the social worker uses words to keep Ricky in his place as a Māori boy who is presumably destined for Juvenile detention. Hunt for the Wilderpeople- A Real Bad Egg | Michelle Tourbier |
| Rising Up, Living On: Re-Existences, Sowings, and Decolonial Cracks Catherine E. Walsh | Michelle Tourbier | |
| Silva, D. (2016), On Difference without Separability. In: J. Volz and Rebouças J. eds. 2016, Incerteza Viva/ Living Uncertainty: 32ª Bienal de São Paulo, exhibition catalogue. São Paulo: Fundação Bienal de São Paulo. Pp. 57-65. | Robin Bellingham | |
| Bellingham, R. A. (2025). Higher education towards the bardo: decolonising origin stories and place relations. Teaching in Higher Education, 30(2), 359–374. https://doi.org/10.1080/13562517.2024.2366931 | Llewellyn Wishart | |
| STOLER, A. L. (1995). Race and the Education of Desire: Foucault’s History of Sexuality and the Colonial Order of Things. Duke University Press. https://doi.org/10.2307/j.ctv11319d6 Race and the Education of Desire https://read.dukeupress.edu/books/book/346/Race-and-the-Education-of-DesireFoucault-s-History Recommended reading is – Chapter 1: Colonial studies and the history of sexuality. You will find that text in the Deakin library through Proquest ebook Central: https://ebookcentral.proquest.com/lib/deakin/detail.action?docID=3008016 Also found is a copy of the site outside the Deakin firewall for those who cannot access the materials through the Deakin library: https://patriciolepe.wordpress.com/wp-content/uploads/2012/05/ann-laura-stoler-race-and-the-education-of-desire-foucault_s-history-of-sexuality-and-the-colonial-order-of-things-1995.pdf Further reading: Chapter IV: Cultivating Bourgeois Bodies and Racial Selves. | As an artistic pairing, I recommend the TED talk by Sasha Sarago on Decolonising Beauty, which shows many of the practices Stoler identifies in the colonial context can be extended to the modern western/Australian conceptions of beauty. You can access Sasha’s talk here: https://www.ted.com/talks/sasha_sarago_the_de_colonizing_of_beauty?utm_campaign=tedspread&utm_medium=referral&utm_source=tedcomshare | Michelle Tourbier |
| Piller, I., Butorac, D., Farrell, E., Lising, L., Motaghi-Tabari, S., & Tetteh, V. W. (2024). Life in a New Language. Oxford University Press Academic US. You can find that in the Deakin library at: https://ebookcentral.proquest.com/lib/deakin/detail.action?docID=31508967 There are many great chapters, but I recommend Chapter 2: Arriving in a New Language which shows how English as a global colonising force operates differently in different contexts, and how that is encountered by many new migrants to Australia. | As an artistic pairing, I recommend viewing the following video which lists indigenous languages which were rendered extinct or marginalised through language colonisation in Australia: Australia’s Lost Languages https://youtu.be/niQ1du2kJGM?si=WxOIdB5YyNRTY3uy Also, for an evocative exhibition which brings back to life an ‘extinct language’, I recommend viewing the following video from the NGV Exhibition Belonging Stories of Australian Art (6 Dec 2019 – 1 Aug 2021) which you will find at the bottom of the page under the Wesfarmers Arts logo: https://nga.gov.au/exhibitions/belonging/ When viewing the suggested material, I recommend considering the absent presence of the indigenous languages which were rendered extinct or irrelevant through the colonisation process in combination with how new immigrants bring with them and encounter colonising experiences of English to Australia. | Michelle Tourbier |
| Kav’s Video – The Importance of Contextualising Racism; Or, Why Green Book Happened https://www.youtube.com/watch?v=pQuvhiPjPyo | Kav Peterson | |
| Reading: Chapter 1 of Wayfinding and Critical Autoethnography, edited by Fetaui Iosefo, et al., Taylor & Francis Group, 2020. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/deakin/detail.action?docID=6348774. | Llewellyn Wishart |
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